Women Photography Curators: A Panel Discussion

Monday March 2, 2026
7:00 pm

Beverly Hills Public Library
Aero Theatre
444 N Rexford Drive
Beverly Hills, CA 90210

Join the Photographic Arts Council Los Angeles, with support from Eastman Museum LA, for a panel discussion featuring an intergenerational group of curators as the final installment of PAC LA’s Year of the Woman series. At different stages of their careers, Sarah Greenough, Emilia Mickevicius, and Britt Salvesen will come together for a conversation moderated by Allison Pappas, about the shape of the field and the role of curatorial practice in photography over the last four decades. In that period, the medium went from being collected by just a handful of museums to being viewed as one of the most popular and incisive forms of contemporary art in institutions of all sizes around the country—holding relevance that will presumably continue to grow more critical and complex with future social and technological changes.

Sarah Greenough is senior curator and head of the department of photographs at the National Gallery of Art. In 1978, she was awarded a Samuel H. Kress Fellowship at the National Gallery, where she worked until her retirement earlier this year. In 1990, she became the founding curator of the department of photographs and has been responsible for establishing and growing the National Gallery's collection of photographs. During her time at the National Gallery she organized numerous exhibitions, including Alfred Stieglitz (1983), On the Art of Fixing a Shadow: 150 Years of Photography (1989), Modern Art and America: Alfred Stieglitz and His New York Galleries (2001), André Kertész (2005), Irving Penn: Platinum Prints (2005), Looking In: Robert Frank's "The Americans" (2009), and Beat Memories: The Photographs of Allen Ginsberg (2010), all of which traveled to museums around the world. Greenough received her PhD and MA from the University of New Mexico, where she studied with the noted photographic historian Beaumont Newhall.

Emilia Mickevicius is the Norton Family Assistant Curator of Photography, a joint appointment between the Center for Creative Photography at the University of Arizona and Phoenix Art Museum. In her role, she primarily draws from the CCP's collection to craft exhibitions for audiences in Phoenix. Her recent projects include Muscle Memory: Lens on the BodyFunny Business: Photography and Humor, and exhibitions on photographers Richard Avedon and Laura Aguilar. From 2019 to 2023 Emmy worked in the Photography department at the San Francisco Museum of Modern Art, where she contributed to numerous exhibitions of work by historical and living artists. She received her PhD from Brown University in 2019.

Britt Salvesen is Curator and Head of the Wallis Annenberg Photography Department and the Prints and Drawings Departments at LACMA. Recent curatorial projects include Digital Witness: Revolutions in Design, Photography, and Film (with Staci Steinberger, 2024–25) and City of Cinema: Paris 1850–1907 (with Leah Lehmbeck and Vanessa R. Schwartz, 2022). Prior to joining LACMA in 2009, she was director and chief curator at the Center for Creative Photography, University of Arizona. She received her MA from the Courtauld Institute of Art and her PhD from the University of Chicago.

Allison Pappas is the Jane P. Watkins Assistant Curator of Photography at the Morgan Library & Museum. She is co-authoring the book Framing the Field: Photography's Histories in American Institutions, which explores the institutional establishment of the field of photography from the 1970s through 1990s through long-form interviews and archival research. Previously, Pappas was Assistant Curator of Photography at the Museum of Fine Arts, Houston. She holds an MA in the History of Art from Williams College and a PhD in the History of Art and Architecture from Brown University.


PAST EVENTS

An Afternoon with photographer SUSAN MEISELAS

Saturday, September 13, 2025
2:00 pm

American Cinematheque
Aero Theatre
1328 Montana Avenue
Santa Monica, CA 90403

Join the Photographic Arts Council Los Angeles (PAC LA), with support from Eastman LA, for an afternoon program featuring photographer Susan Meiselas. This event is part of PAC LA’s ongoing Year of the Woman series.

Susan Meiselas is well known for her documentation of human rights issues in Latin America, and her visit coincides with the 2025 rerelease of her acclaimed publication, Nicaragua, from Aperture. The book was first published by Pantheon in 1981 and is more sharply relevant today than ever.

Meiselas’ talk will center around her Nicaragua work over multiple decades and the various forms it has taken, as a book, exhibition, and film, tracing the lives of her images as they have circulated and been repatriated, shifting their meaning over time.

 In addition to Nicaragua, Meiselas is the author of numerous acclaimed titles including Carnival Strippers(1976), Kurdistan: In the Shadow of History (1997), Pandora’s Box(2021), Encounters with the Dani(2003), Prince Street Girls (2016), A Room Of Their Own (2017), Tar Beach(2020), and Carnival Strippers Revisited (2022). Among her many awards of recognition,Meiselas has received the MacArthur and Guggenheim Fellowships, and her work is included widely in North American and international collections.

Meiselas has been a member of Magnum Photos since 1997 as well as the President of the Magnum Foundation since 2007, with a mission to expand diversity and creativity in documentary photography.

Year of the Woman celebrates the influential women who helped shape PAC LA’s first decade. Programming will run through 2025 and into early 2026, spotlighting women across all areas of photography—curators, collectors, artists, gallerists, and conservators.

PAC LA is a nonprofit organization offering public-facing programming that educates and engages the community in an evolving conversation about photography and photo-based art. With Eastman LA’s sponsorship, all Year of the Woman events are free and in-person.

Image Above: Reframing History, Masaya, Nicaragua, 2004. Installation of Muchacho withdrawing from commercial district of Masaya after three days of bombing. Masaya, Nicaragua, September 1978. © Susan Meiselas / Magnum Photos

Photographic Arts Council Los Angeles (PAC LA)’s Upcoming Program: Women Photo Gallerists in Los Angeles

Saturday, August 9, 2025
1:00 pm

Nazraeli Press at The REEF LA
1933 South Broadway
Suite 1266
Los Angeles, CA 90007

In partnership with the Photographic Arts Council Los Angeles (PAC LA), we are pleased to announce a free conversation between three esteemed gallerists who, working over the last thirty years, have come to define the Los Angeles photo scene. Speakers include Tarrah von Lintel, Theresa Luisotti, and Rose Shoshana. The discussion will be moderated by journalist Jori Finkel, who has chronicled the city’s expanding art market for multiple news outlets. 

Over the course of the last fifty years, Los Angeles has established itself as a city with a vibrant photography community that is home to important public collections, top tier art schools, and many galleries that regularly showcase the wide-ranging scope of the medium. The photography market in this city has evolved considerably over the period these three women have operated their respective businesses. This wide-ranging conversation will bring to the fore their individual experiences, discussions of the challenges and opportunities of working in Los Angeles, and will present insights about how the field has changed over the years.  

This conversation is part of PAC LA’s Year of the Woman, which celebrates the influential women who helped shape PAC LA’s first decade. Programming will run through 2025 and into early 2026, spotlighting women across all areas of photography—curators, collectors, artists, gallerists, and conservators.

PAC LA is a nonprofit organization offering public-facing programming that educates and engages the community in an evolving conversation about photography and photo-based art. With Eastman LA’s sponsorship, all Year of the Woman events are free and in-person.

Capacity is limited, and advance registration is highly recommended. For more information and to register, please visit PAC LA's event page or sign up below.

Image Above: Installation image from Rose Gallery

Why A Photobook: A Conversation with Elena Dorfman, Mona Kuhn, Isotta Poggi, and Marjorie Ornston

Saturday, May 17, 2025
1:00 pm

Los Angeles Modern Auctions
6666 Lexington Ave
Santa Monica, CA 90404

Join the Photographic Arts Council Los Angeles (PAC LA), with support from Eastman LA, for a panel discussion, Why A Photobook?—the second event in its Year of the Woman series. This conversation will feature photographers Elena Dorfman and Mona Kuhn, Getty Research Institute photography curator Isotta Poggi, and photography collector Marjorie Ornston as they explore the evolving role of the photobook in contemporary photography.

The discussion is inspired by the Getty Research Institute's current exhibition surveying the global history of photobooks by women, drawn from the library’s extensive collection. This pop-up exhibition is part of the international 10×10 Photobooks series, What They Saw: Historical Photobooks by Women 1843–1999—a groundbreaking publication that reexamines and redefines the photobook canon through a more inclusive lens.

Year of the Woman celebrates the influential women who helped shape PAC LA’s first decade. Programming will run through 2025 and into early 2026, spotlighting women across all areas of photography—curators, collectors, artists, gallerists, and conservators.

PAC LA is a nonprofit organization offering public-facing programming that educates and engages the community in an evolving conversation about photography and photo-based art. With Eastman LA’s sponsorship, all Year of the Woman events are free and in-person.

Capacity is limited, and advance registration is highly recommended. For more information and to register, please visit PAC LA's event page or sign up below.

Image Above: What They Saw: Historical Photobooks by Women, 1843–1999 (April 8 – May 11, 2025), Getty Research Institute. Photo © J. Paul Getty Trust.

Photographic Arts Council Los Angeles (PAC LA)’s Year of the Woman, sponsored by Eastman LA

Saturday, April 19, 2025
11:00 AM

Galerie XII
2525 Michigan Avenue, Suite B2
Santa Monica, CA 90404

We are thrilled to sponsor a series of public talks organized by the Photographic Arts Council Los Angeles (PAC LA), unfolding throughout 2025 and into 2026.

Year of the Woman will include public events celebrating notable women in photography. These talks will range from a discussion between women who have built significant photography collections to a panel on breakthrough women photobook creators, a conversation gathering a group of pioneering women gallerists, and a presentation by a celebrated photographer. Toward the end of 2025, there will be an online session with women in the essential roles of photography conservators. In early 2026, the program will bring together some of the nation's most influential photography curators.

The first panel discussion, Women Collectors, will take place on April 19 and feature a discussion with three women with different approaches to collecting and at different stages of their collecting journeys. Hosted by the esteemed photography dealer, Jennifer DeCarlo, we will welcome collectors Paula Ely, Alison Bryan Crowell, and Sarah Kissell. For more information about the event, visit PAC LA's event page.

Image Above: Bea Nettles. Triple Goddess, November 1969. Gelatin silver prints. George Eastman Museum, gift of the artist. © Bea Nettles.

William Kentridge’s complete Drawings for Projection (1989–2020)

Friday, February 21, 2025
1:00 PM, 4:00 PM, & 7:30 PM

American Cinematheque
Aero Theatre
1328 Montana Avenue
Santa Monica, CA 90403

Join us for a special screening of William Kentridge’s complete Drawings for Projection at the Aero Theatre in Santa Monica. Drawings for Projection, comprising eleven short films made from 1989 to 2020, is a touchstone of Kentridge’s prolific career. Usually projected in museums’ black-box rooms, this magnum opus—animated by his drawings on paper in charcoal and colored pencil and distinctive use of erasure—is even more powerful on the big screen.

Admission is free with RSVP.

Image Above: William Kentridge. Stereoscope, 1999. From the series Drawings for Projection. Frame enlargement from a 35mm polyester print. George Eastman Museum, gift of the artist.

PHOTOGRAPHY MOVING IMAGE TECHNOLOGY